MaureenMcGowan

Interviewing Molly O’Keefe

Today, I’m thrilled to be hosting RITA® Award winning contemporary romance author, Molly O’Keefe, who just happens to be, not only one of my valued critique partners, but also one of my closest friends. In addition to her RITA® win, she’s also won two RT Reviewers’ Choice Awards as well as numerous other accolades. She’s has 18 novels published by Harlequin and two fabulous longer romances coming out from Bantam Dell in 2012.
For the full interview, check out the Get Lost in a Story blog

His Wife For One Night
February 2011
ISBN 9780373716883
Jack McKibbon knows the score when he offers to marry his best friend Mia Alatore. He’s fixing a bad situation for her—that’s all—they aren’t making a real life together. She wants to stay on the ranch and he’s got his studies and inventions elsewhere. Still, this arrangement is a good deal for both of them.
Until that one night…
A sexy interlude with Mia makes Jack rethink their relationship…and their future. But all his plans grind to a halt when she asks for a divorce. Once upon a time, Jack might have agreed. But now that he knows the chemistry they share, he’s not giving up a second chance to be with his wife.
ABOUT MOLLY
Molly O’Keefe has always known she wanted to be a writer (except when she wanted to be a florist or a chef and the brief period of time when she considered being a cowgirl). And once she got her hands on some romances, she knew exactly what she wanted to write.
She published her first Harlequin romance at age 25 and hasn’t looked back. She loves exploring every character’s road towards happily ever after.
Originally from a small town outside of Chicago, she went to university in St. Louis where she met and fell in love with the editor of her school newspaper. They followed each other around the world for several years and finally got married and settled down in Toronto, Ontario. They welcomed their son into their family in 2006, and their daughter in 2008. When she’s not at the park or cleaning up the toy room, Molly is working hard on her next novel, trying to exercise, stalking Tina Fey on the internet and dreaming of the day she can finish a cup of coffee without interruption.
To read the full interview, check out the Get Lost in a Story blog

Interviewing Anna Humphrey

Today, I’m interviewing the lovely, Anna Humphrey, author of RHYMES WITH CUPID and the upcoming MISSION (UN)POPULAR.


Anna Humphrey is the author of RHYMES WITH CUPID (currently available) and MISSION (UN)POPULAR (due out June 2011)—both books for teens. She lives in Toronto with her husband and kids. 

I’ve been lucky enough to meet Anna in person through the fabulous @torkidlit tweet group. Follow our hashtag. :)
ABOUT THE BOOK 

RHYMES WITH CUPID from HarperTeen is the story of a girl who finds romance despite her best efforts not to.

After a terrible heartbreak last Valentine’s day, Elyse Ulrich has sworn off dating as well as celebrating the February 14th holiday. Both things are a problem, though, since:
a) she works at a gift & stationery store, surrounded by annoying singing Cupid dolls, tacky heart-shaped balloons, and sappy cards with poems that don’t even really rhyme.
b) she ends up meeting Patrick, who works in the same mall and is her new neighbor and her driving instructor and is really cute and incredibly charming… which might be okay except for the whole ‘sworn off dating’ thing…

Elyse isn’t interested in putting her heart on the line. But with Valentine’s Day approaching, she finds out that avoiding Cupid’s arrow is a lot harder than she expected.



To read the full interview, click here: Get Lost in a Story.


Book Giveaway from Claudia Osmond!

Today, I interviewed the fabulous, Claudia Osmond over at Get Lost in a Story.

Drop by to read her great answers to my silly questions. If you comment on that post you’ll get a chance to win her book, SMUDGE’S MARK!

Claudia Osmond is an only child, wife, and mother who loves caramel apples, hates snakes, stands for social justice, sits at the feet of her Muse, accepts the fact that she’s getting older, denies the idea that her best years are behind her, reads voraciously, writes passionately, sings only when no one’s listening, and admits that she wrote her very first novel in a closet ~ both literally and figuratively speaking.
SMUDGE’S MARK
“With a shaky hand, I laid the brass key on the paper flat side down, and slid it over top of the sketch. It fit the shape exactly. Then the line circling the key uncurled and reformed itself into two words: FIND IT.”
Simon is a fourteen-year-old Orphan with No Options: an O.W.N.O. And “Oh no” pretty much sums up his life. He’s stuck in Grimstown with his prank-pulling grampa and a housekeeper-slash-nanny from you-know-where. Worse, Simon can’t remember a thing about his childhood. Then one night a bizarre dream unlocks some of those forgotten memories, leaving Simon with half of a key in his pajama pocket and a growing awareness that he’s in the middle of a dangerous plot that threatens to destroy Emogen, a hidden realm connected to Earth. In order to save Emogen – and his best friend – from a deadly curse, Simon needs to find out who he really is. But can he discover his true identity before it’s too late?
Again, for a chance to win the book, leave a comment on the post at Get Lost in a Story! A blog for readers of all ages. 

Interview with Eileen Cook!

I interviewed Eileen Cook at Get Lost in a Story, and we talked about her new YA book THE EDUCATION OF HAILEY KENDRICK (and about Johnny Depp). Check it out. :)

Eileen Cook is a multi-published author with her novels appearing in six different languages. She spent most of her teen years wishing she were someone else or somewhere else, which is great training for a writer.


You can read more about Eileen, her books, and the things that strike her as funny at www.eileencook.com. Eileen lives in Vancouver with her husband and two dogs and no longer wishes to be anyone or anywhere else.

About the Book


Hailey Kendrick always does exactly what’s expected of her. She has the right friends, dates the perfect boy, gets good grades, and follows all the rules. But one night, Hailey risks everything by breaking a very big rule in a very public way…and with a very unexpected partner in crime. Hailey gets caught, but her accomplice does not, and Hailey takes the fall for both of them.
Suddenly, Hailey’s perfect life–and her reputation–are blowing up in her face. Her friends are all avoiding her. Her teachers don’t trust her. Her boyfriend won’t even speak to her for long enough to tell her that she’s been dumped.
They say honesty is the best policy–but some secrets are worth keeping, no matter the cost. Or are they?


If you don’t believe me, (and why wouldn’t you?), here’s what major reviewers have had to say about her latest release, THE EDUCATION OF HAILEY KENDRICK:

“Cook effectively builds both Hailey’s (justified) feelings of rebellion and the social dynamics of her ostracism, especially in her growing friendship with a challenging townie, Drew, who supervises her punishment working with the janitorial staff….Cook coaxes considerable empathy for the otherwise privileged Hailey as she abandons the achievement treadmill to explore her independence.”

–Publishers Weekly

* “Hailey may be an A student headed to the Ivy League, but when it comes to taking a chance on life, she’s clueless. She’s also enormously appealing and great company throughout this breezy read. Yes, it’s chick lit, but of the highest quality—like a gourmet truffle. Cook has whipped up a real treat.”

–Kirkus starred review



You can keep in touch with Eileen online here:
www.eileencook.com
Twitter: @Eileenwriter

True Grit — A Western YA

When I walked in the theatre to see True Grit last weekend I was expecting to see a Western. And given how many groups of men were in the audience, so did they. Little did they know, we were about to see one of the smartest, funniest, most tightly plotted, girl-driven young adult stories I’ve seen/read in a long time.

I’ve never been a big fan of Westerns as a genre, but I do vaguely remember seeing the 1969 version of True Grit on TV, (probably because I had a now-embarrassing crush on Glen Campbell). And I barely remembered that the story was about a young girl.

When the book was first published, I understand it was put out by as a “book for young readers”, and having just seen the new Coen brothers movie (twice), which supposedly follows the original book more closely, I understand that. And really want to read the book. It is a YA story.

I did a (tiny) bit of research before composing this post, and now understand that the original film didn’t stick to the material in the novel as well as the Coen brothers did. Plus, in the new version, the actress who plays fourteen-year-old Mattie was just thirteen during filming. The actress in the original was twenty-one. And that says a lot in itself. I was in my early teens when I saw the original on TV and likely could easily see through the adult pretending to be fourteen.

The old version also took out a lot of the comic elements and made it more about Rooster and LeBoeuf and Chaney — more of a traditional western. I think the Coen’s managed to marry the two genres. Or rather make a YA with cross-over appeal, rather than a western. :)

One of the first things that struck me after seeing this movie was what an excellent lesson in POV it is. Perhaps it was just because I’m preparing to teach a POV workshop this weekend and thinking a lot about the topic, but I couldn’t help but notice that here’s not one scene in this movie that’s not from Mattie’s POV. Even the scenes that aren’t really about her, or that she’s not directly part of, we only see through her eyes… Entirely seen through the eyes of a fourteen year old girl. How could that not be a YA?

The trailer makes it seem like an adult western, and I suppose that was smart on the studio/distributor’s part, but how little Mattie is in this trailer is misleading. As I said above, she is in every scene in the movie, even if she’s just observing a few times. Also, the trailer makes her look like a victim. They skip the important part of that scene in the river. The part where she’s incredibly brave.

A good ten or fifteen minutes of the movie goes by before we ever see (or hear) Rooster. And the first time we hear Rooster, she’s tracked him down to an outhouse. And the Coen’s don’t cheat and show Jeff Bridges’s face, or go for the potential funny moment of seeing him inside the outhouse with his pants down. Or without his pants down and simply hiding from the girl. No. We’re left to imagine what he’s doing and just see her banging on the door, saying things like, “you’ve been about your business for an awful long time, Marshall” and we only see the scene from her side. Similarly, when Rooster is testifying in a court case a few scenes later, (the first time we see his character), we don’t see or hear any part of the trial until she walks in the room. Another example is when someone approaches Rooster and Mattie in the forest, when she’s high up in a tree, we don’t hear the conversation between Rooster and the man, until she’s down out of the tree and within hearing distance. Anyone who wants to understand POV should watch this movie.

Even more, anyone who wants an example of an active, decisive, perfectly motivated protagonist should see this movie. Yes, Jeff Bridges is getting a lot of attention for his performance and he was excellent. Yes, Matt Damon is HILARIOUS as the bombastic braggart LeBoeuf (pronounced “LaBeef” in this movie — which I found hilarious in itself). Yes, Brolin is astoundingly good as Chaney and Barry Pepper is so great in the role of Ned Pepper, I can’t even imagine that Robert Duvall did it better in 1969. But the real star of this film is its protagonist, Mattie Ross, played by Hailee Steinfeld. She never misses a beat.

Mostly, I love that this is a story about a brave young girl in grown up and dangerous situations, but instead of being overwhelmed, she holds her own and doesn’t need to rely on the adults for everything. Yes, it’s true that she does need the adults. She couldn’t have gone after Chaney on her own. But she’s smart enough to know this and smart enough not to let the men take advantage of her, and even smart enough to push for her own way even when they aren’t really trying to take advantage — but thinking that they know what’s good for her better than she does. This girl doesn’t take cr%p from anyone. I particularly loved the scenes of her haggling near the beginning and how much she knows about law and how incredibly well-educated and articulate she is. Her word choices cracked me up so many times.

I think she’s one of the strongest female characters I’ve seen in a long time who didn’t have unrealistic skills or superpowers. And she’s fourteen!

I even think my twelve year old niece should see this movie. I actually went the second time mostly to remind myself of the content because I’d already told my sister that she should take my niece to see it and started to question my recommendation. Yes, men get shot. Men get hung. It is a western. And there is one scene that’s pretty gruesome, but it’s not gratuitous and (like everything) it’s shown through Mattie’s eyes, and we feel the horror of it with her. (And compared to the violence in many PG-13 movies, it’s really not that bad.)

YA is taking over the entertainment world right now — it’s even claimed the gritty western.

Get Lost in a Story

I’ve joined a new group blog where our main aim is to put readers in touch with authors.

We launched this Wednesday, and today we’re introducing ourselves if you’d like to stop by and meet the gang. You can suggest questions we should ask our visiting authors. You can suggest authors you’d like to see on the blog. Or you can just mock us. 😉 Up to you.

Oh, so funny

I’ve seen this so many places now, I’m sure you’ve seen it already, but it so clearly represents the frustration I’ve felt talking to people since I started working toward writing in a serious way.

Thing is… nine years ago, I might have resembled annoying guy in this… Well, not that bad. But I really thought it was going to be so much easier. How foolish.